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John McCullough

wave

1

winter

2020

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the poet

John McCullough lives in Hove on the south coast of England.  His first collection, The Frost Fairs, won the Polari First Book Prize in 2012 and was a Book of the Year in The Independent as well as a summer read in The Observer. His latest collection, Reckless Paper Birds, published by Penned in the Margins and shortlisted for the Costa Poetry Award 2019, focuses on vulnerability and the human body. It won John the coveted Hawthornden Prize in 2020.

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the poems

Queer-Cole

00:00 / 02:15

You tumbled into my palm in a trickle of sterling

bad coin foul queen though I didn’t notice.

I pocketed you conveyed you like your Sedan chair

respectfully slotted you into vending machines that coughed



you out. You winked at me from a change tray

and abruptly I spotted everything about you

was wrong your weight your ill-defined milled edge

your obverse skewed. Not copper zinc nickel but lead

sprayed with gold paint. Too shiny. Queer-cole

they used to say meaning counterfeit or base money

what ends up improperly beside your person tilting

the system forcing each wall mutilating the weather.

Fucking queer a voice in the Watford crowd snarled

as my lips brushed Ryan’s cheek. There I was my mouth

mimicking legit my hoodie cap trackies like a man’s

but on close inspection awry my voice too light

edges blurred. Flickery. I carry this awareness in my blood

how simply I’m revealed as undermining the currency

warping the ceiling. Now coin I keep you squirrelled

in my wallet’s secret section. You are my talisman

return me to what I am no pink pound but queer-cole

rebel head wonky origin dangerous minting.

Stationery

00:00 / 02:14

September is going all out to ease us in.

The clouded sky is a whiteboard for helpful diagrams,

the first cool air as welcome as your hand inside my jeans.

Autumn zips round with its orange highlighter

and you provide nifty shocks and marshmallows,

leaving pornographic Post-its that ask me to rendezvous,

please, for hot chocolate. I am the type of man

who likes unnecessary displays of manners,

who appreciates thank you cards, warning signs,

a forest of regretful notices for building works.

I admire rows of ginkgos that lose all their foliage

in one drop to form a Yellow Brick Road.

I am a desperate Lion today, stalking Scarecrow.

I chew biros, glimpse at my watch too often. I was so afraid

of being late to see you once, I arrived six days early.

Love is horrific like that. First it’s a rabbit, then a duck,

then it’s a ravenous, one-eyed sock puppet;

but the rest is yoghurt adverts. And you fasten my thoughts

with the most beautiful paperclips, even the filthy ones,

like the time I saw a grove of ripening chilli plants

become a rainbow of penis trees. Do you wish to continue,

says the voice of a self-service checkout. Yes, yes I do.

Between the shops, the sea snuggles under its blue leaves.

The clock tower waits patiently for Christmas,

a familiar figure below waggling his arms

to lure me over. Succeeding. Your skilful face punches

a giant hole in the day and I jump through it.

Tender Vessels

00:00 / 02:23

I keep trying to slip away through the crowd

but history won’t take its mouth off my body.

What was exacted on someone else’s softness,

his cuttable flesh, is always about to happen here.

The vague kinship which exists between tender men

glowing with thirst starts in awareness of this,

how we’re unstitched by tongue prints, resurrections.

Standing in a street party one Pride, I saw a figure

stomp through, fists raised, and strike three boys.

They dropped to the ground, clutching their heads.

I witnessed everything, squeezed a stranger’s shoulder

then fifteen minutes on, my body was distracted

utterly by the smell of oranges. The unspeakable

scrapes a fingernail across my neck, but I can only

concentrate so long before I wind up decanting

myself into the nearest fizzing light: Instagram,

house music. It’s like those inventors who tried to devise

a spray-on cast for broken bones, created Silly String.

But there are remedies worse than squirting

metres of sticky mayhem across a jubilant face,

outcomes bleaker than attempting despite the scissors

to inhabit this twenty-first-century skin.

I live in a dream of plummeting from the earth’s

tallest building without ever having felt more beautiful

because I’m not the only one falling. I’m in a crowd,

a loose democracy of descent, velocity with its hands

all over our bodies, but not enough to stop us

gossiping and blowing kisses as we speed

through the air together, reckless paper birds.

They will find us with our beaks wide open.

Publishing credits

All poems: Reckless Paper Birds (Penned in the Margins) –

  shortlisted for the Costa Poetry Award 2019

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