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Mark Fiddes

wave

1

winter

2020

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the poet

Mark has published two books with Templar Poetry: The Chelsea Flower Show Massacre and The Rainbow Factory. In 2019, he won the Oxford Brookes University International Poetry Competition, came second in the Robert Graves Prize, and third in the National Poetry Competition. He's recently been published by Poetry Review, Magma, The New European, The Irish Times, The London Magazine and Poem Magazine. He lives in Brexile in the Middle East.

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the poems

After Delius

On the occasion of not leaving the

European Community, March 29th 2019

00:00 / 01:37

For an hour or two over breakfast

the lethal Etonians were hushed

on the day we meant to leave.

Common or garden birds threshed

a chorus from thin British hedges.

A bog-standard UK sun rose up

sixty non-decimal minutes before

Europe to shake off a bleary March.

Pigeons paraded along the gables

in regimental medal regalia.

New blossom reported for duty

bunting all the pissed-up alleys.

Not a chemist ran short of insulin

and the growling tide of lorries failed

to make a delta out of Kent.

Hate was too hungover to fry up

the Full English with trimmings

in saucy tabloids and talk radio.

On the day we meant to leave,

a bird of unsettled status flew in

to Devon from an African hot spot

laden with unregistered eggs

searching the lanes for spare nests

and any true love crying “cuckoo.”

El Pacto de Olvido

00:00 / 01:30

We walk the canal under plane trees,

words in one pocket, silence in the other

past palettes stacked for la cooperativa,

the air thick with dust and late harvest.

We talk of work, cards we’ve been dealt,

the missing people, our grown children,

whose absences now lengthen beside us.

I explain how this hour a lifetime ago,

Nationalists executed the men too unfit

to march to the “work camps” in France,

leaving the bodies somewhere over there

to rot, dropped like sacks in familiar dirt.

They thought nothing could be quieter

than a country of unmarked graves.

Once in step, we speak of nothing more.

Someone’s taking pot shots at the rabbits.

Swallows speed type through pylon wires.

An irrigation ditch fills, a tractor stutters.

Black damsons clack against dry mouths.

Homewards we scrape, shale underfoot.

The price of peace is always a bitter fruit.

The Kodachrome Book

of the Dead

00:00 / 01:55

Frozen in their Kodaks,

our old folk wear slippers

to protect the carpet from their feet.

Colours leech. A tap drips.

Dinner lingers in another room.

A yucca erupts on the lawn.

The lounge is an orgy

of fakery: leatherette armchairs,

plaster dogs, silk orchids,

mock encyclopedias

and more fringe than necessary

on lamps, hairdos, lips, pelmets

plus random tassels

wherever there is dangling

and come-hither velvet.

If a grandparent smiles

it is like a wolf had stopped by

for tea and a slice of Battenberg.

Parents vogue in folky

knitwear surrounded by cigarettes

and the Sixties.

Is this how they will see us,

our early years tucked into albums

balanced on the knee like babies?

Will pages crackle as laminates

separate and we stare back red-eyed

as hounds from blind pubs?

Whereas our last few decades

will click past in seconds on a screen,

backlit, cropped and cherry-bright.

There they can find us,

between swipes, catching our breath,

wiping the joy from our sleeves.

Publishing credits

After Delius: The New European

El Pacto de Olvido: runner-up in the Robert Graves Poetry Prize 2019

The Kodachrome Book of the Dead: winner of the Oxford Brookes

  University International Poetry Competition 2019

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