the poet
Vice-president of the New England Poetry Club from 2016 to 2024, Hilary Sallick is a teacher with a long-time focus on adult literacy. She's the author of Love is a Shore – long-listed for the 2024 Massachusetts Book Awards – and Asking the Form. Her poems have appeared in Action, Spectacle, Halfway Down the Stairs, Permafrost, Potomac Review, Notre Dame Review and elsewhere. Hilary lives in Somerville, MA.
the poems
rough edges
rainy I got up and went outside
before my coffee before this long
work in which time vanishes
I walked in the drizzle not far
down Elm and back along the park
crossing the field the ground soft
beneath my feet and remembering
the little kids the games of catch with Will
and pushing Verna on the swing
then I hurried home poured my coffee
and came to sit by these windows
I don’t like to let go
of old efforts because I feel those same
desires unfinished passing me
and I think about that a lot
there are pearls of rain
on the mulberry beads of light
in the rain there’s the murmur
and tapping of droplets on the house
I opened an old document
scrolled slowly through its digital
pages remembering
how bit by bit
I made edits and changes now
the version before me seems stripped
of grace or whatever meaning
the original once hoped for
as if an essence has been polished away
I think I’m going about this
all wrong and here I am
still doing it a squirrel in the mulberry
is climbing nosing seeking
nutritious bits to gnaw
on those long awkward and winding
branches how good the rough
bark must feel to its feet
reliable interesting
I still want everything
a hundred per cent as Eileen Myles
says in a poem by that name
a crack of light a step an
ocean and the day
is about to disappear
I have my students’ notebooks too
beside me hand-scrawled
urgent or tidy
they like me to read their works
and write back to them
how would it be
if someone wrote back to me
I sort of do that
for myself to the extent possible
and there is no risk involved
no danger of being intruded upon
or hurt
but what’s the point then
Parting
Because of my heavy suitcase
and my tote bag loaded
with poetry we decide
as we walk through the dark-red door
of her apartment
to take the elevator down;
wafts of feeling like air
through a window
surging through me
as my daughter closes her door
behind us locks secure
her world its views that look
without and within meaning
a few bright windows that orange wall
beneath a stripe of sky
and those paintings she’s made
and is making Too feminine
she worries because of palette
and curve that draw the eye
showing how things
fold into themselves making
new pathways in secret
there in the studio where nothing
is ever exactly as dreamed
yet continues
so a dream too is behind the door
now the dream I imagine
and carry in memory as we push
the button for the elevator


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