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Ewan Mackinnon

wave

24

winter

2025

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the poet

Poet Ewan Mackinnon lives in Denmark, where he's artistic director of a charity that brings artists, clowns and musicians to children’s hospital wards. His poems have appeared in Under the Radar, The Rialto, Dear Reader, Jarfly, Obsessed with pipework and Prole. In 2021, and again in 2023, Ewan's work made it onto the longlist of The Poetry Society's National Poetry Competition. He's a big fan of the Arvon Foundation's writing workshops, and his favourite poet is Caroline Bird.

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the poems

After two evening classes

in silversmithing

00:00 / 02:13

Finally, The Micro Motor arrived not that the little

weak-assed-orange-battery-drill couldn’t do the

job, well it couldn’t, but that's not the point. It was

a step into professionalism, to taking myself

seriously, to feeling the part. It is a pendant drill,

I wanted the Balkan Venus but Mickey swears

I’d regret it if I didn’t go for the Fordom SR pro

with the quick release kit, so, I got that. I screwed

a white-enamel shelf bracket into the wall to hold

it (I had some left over from the extension that I’d

picked up from the bargain bucket at Jewson’s

three years back) which was awkward because

it’s plasterboard so I had to find the beam and my

beam scanner is crap, should have got the Makita,

Mickey’s had one for years and he swears by them

so anyway, I guessed, and that always means loads

of regularly spaced holes in a little line that look like

a, very industrious termite has been burrowing for a

home(ha) I did try screwing it to the ceiling cause I

can see where the joist is by the paint cracking cause

of me walking on it when I was fixing the roof earlier this

year, but that turned out to be too high for the table,

then I considered lifting the table, but I just finished

that, its split levelled and bolted to the floor so that

seems stupid, it’s heavy, the motor, so when you

squeeze the foot pedal, however gently, it jolts and

rotates, something to do with momentum or

centrifugal force, I’ll have to ask Mickey, but it

doesn't really matter, it's not the point, it came with

an ash block with a hundred holes in it for the accessories

I’d bought; the diamond drills and busch burrs and

stone router bits and sanding discs and pendant

wheels and frosting brushes and polishing pads

and finishers, oh! and a few spare mandrels. Its brilliant.

The Streets are Stained

with Sorrow

00:00 / 01:07

          Walk for miles, find my house

          but have no keys. Sit

          on the step, teary, wait

          for anyone who knows me.

          A streetlight flickers

          and dies. Table for one. Dance

          with strangers, soaked in sweat and

          tears. Get lost in the

          museum districts

          towering ancient blocks, tear-stained

          cafes fill with early evening aperitif guests.

          Sharply dressed teary waiters

          serve huge Negronis and snacks. Join the line

          at the soup kitchen for leek and teardrop stew.

          Every head down.

          Find the river by a wide paved boulevard

          full of bullish carpenters setting up market stalls,

          their laughter cuts.

          I’m sobbing.

          A crowd gathers to watch the tears

          melting my face. Collapse

          to the pavement with a splash,

          the crowd whoop as they jump back,

          no one wants my tears

          on their shoes.

James Peddle and Sons

00:00 / 01:03

          Tea seems inappropriate. Dark well

          pressed suits even on a Sunday.

          A simple solid battered

          stretcher on wheels and a body

          bag. I offer to help.

          They politely decline.

          Their office is on the parade

          next to that nice Turkish place.

          Red sun-bleached drapes

          block any chance of a glimpse

          inside. The door has no bell.

          On the wall is a painting of a horse

          drawn hearse. Maybe that’s James

          holding the whip. Mum signs

          the forms. At the funeral,

          they stand straight-armed,

          unmoved. Thousands of souls

          have taken their last journey

          on these round shoulders,

          their breath like shire horses

          in the frosty sunlight.

Publishing credits

All poems: exclusive first publication by iamb

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