the poet
Poet Ewan Mackinnon lives in Denmark, where he's artistic director of a charity that brings artists, clowns and musicians to children’s hospital wards. His poems have appeared in Under the Radar, The Rialto, Dear Reader, Jarfly, Obsessed with pipework and Prole. In 2021, and again in 2023, Ewan's work made it onto the longlist of The Poetry Society's National Poetry Competition. He's a big fan of the Arvon Foundation's writing workshops, and his favourite poet is Caroline Bird.
the poems
After two evening classes
in silversmithing
Finally, The Micro Motor arrived not that the little
weak-assed-orange-battery-drill couldn’t do the
job, well it couldn’t, but that's not the point. It was
a step into professionalism, to taking myself
seriously, to feeling the part. It is a pendant drill,
I wanted the Balkan Venus but Mickey swears
I’d regret it if I didn’t go for the Fordom SR pro
with the quick release kit, so, I got that. I screwed
a white-enamel shelf bracket into the wall to hold
it (I had some left over from the extension that I’d
picked up from the bargain bucket at Jewson’s
three years back) which was awkward because
it’s plasterboard so I had to find the beam and my
beam scanner is crap, should have got the Makita,
Mickey’s had one for years and he swears by them
so anyway, I guessed, and that always means loads
of regularly spaced holes in a little line that look like
a, very industrious termite has been burrowing for a
home(ha) I did try screwing it to the ceiling cause I
can see where the joist is by the paint cracking cause
of me walking on it when I was fixing the roof earlier this
year, but that turned out to be too high for the table,
then I considered lifting the table, but I just finished
that, its split levelled and bolted to the floor so that
seems stupid, it’s heavy, the motor, so when you
squeeze the foot pedal, however gently, it jolts and
rotates, something to do with momentum or
centrifugal force, I’ll have to ask Mickey, but it
doesn't really matter, it's not the point, it came with
an ash block with a hundred holes in it for the accessories
I’d bought; the diamond drills and busch burrs and
stone router bits and sanding discs and pendant
wheels and frosting brushes and polishing pads
and finishers, oh! and a few spare mandrels. Its brilliant.
The Streets are Stained
with Sorrow
Walk for miles, find my house
but have no keys. Sit
on the step, teary, wait
for anyone who knows me.
A streetlight flickers
and dies. Table for one. Dance
with strangers, soaked in sweat and
tears. Get lost in the
museum districts
towering ancient blocks, tear-stained
cafes fill with early evening aperitif guests.
Sharply dressed teary waiters
serve huge Negronis and snacks. Join the line
at the soup kitchen for leek and teardrop stew.
Every head down.
Find the river by a wide paved boulevard
full of bullish carpenters setting up market stalls,
their laughter cuts.
I’m sobbing.
A crowd gathers to watch the tears
melting my face. Collapse
to the pavement with a splash,
the crowd whoop as they jump back,
no one wants my tears
on their shoes.
James Peddle and Sons
Tea seems inappropriate. Dark well
pressed suits even on a Sunday.
A simple solid battered
stretcher on wheels and a body
bag. I offer to help.
They politely decline.
Their office is on the parade
next to that nice Turkish place.
Red sun-bleached drapes
block any chance of a glimpse
inside. The door has no bell.
On the wall is a painting of a horse
drawn hearse. Maybe that’s James
holding the whip. Mum signs
the forms. At the funeral,
they stand straight-armed,
unmoved. Thousands of souls
have taken their last journey
on these round shoulders,
their breath like shire horses
in the frosty sunlight.
Publishing credits
All poems: exclusive first publication by iamb
.png)

