the poet
Anna Shelton is a mother, teacher, poet and part-time mermaid from Cambridge. Her first pamphlet was longlisted for the 2025 Disabled Poets Prize, while her poem about medical misogyny was commended in the 2024 Hippocrates Prize. Anna's been published in Magma, After…, Propel Magazine and Coven, as well as in the anthology To Light The Trails: Poems By Women In A Violent World.
the poems
Jellyfish Midlife Crisis
Lately, I’ve been researching how lightning strikes the sea,
How many feet away from boats I’d need to swim to stay alive.
Electricity is only lethal near the surface.
If I could dive ten feet below, I might survive.
I’d rather be diaphanous,
moon jelly, short-lived,
incapable of preference,
curly white tentacles wave
in the whimsical current, pulled
everywhere by obstinate tide.
Look at us – clusters of bulbous
opaque moons hopelessly
bobbing. In Neptune’s mosh pit,
we relive our spilled-
milk youth, deposited on ancient
felsic rocks, left behind on green-streaked
beaches between furbelows
and conspicuous pink coral weed.
Solo explorations that end
inside leatherbacks, confined
in rockpools, a fulmar snack.
We still sting
those who touch us
even in death.
When thunder starts, roll
with the bowling waves – when lightning
strikes, be rubbery – unafraid.
Maybe happiness
can wait. Remain adrift –
catch passing shrimp,
be buoyant; be tidal.
Diaphanous.
A Cambridge Education
This twisted village pulled me into poetry, this shadowed edge
of Cambridge, before the flattened fens. This suburban Minotauran maze,
where council houses seemed to breed, where childhood trauma grazed
like cattle on the commons. Not the spires of colleges that inspired us,
we didn’t notice domed churches, the stained glass seeming leached of colour
as we passed, ignorant of all learning within those dim Oak-panelled halls,
the hallowed horn-drinking rituals of Michaelmas matriculation
meant nothing yet, only othered us. We didn’t glimpse the pillared majesty
of four-hundred-year-old walls, nor the mortarboards and gowns
of graduates who milled about the Mill Pond. We never visited this town
as tourists, never paid to punt gaily down the Cam, straw-boater hats
on plum-voiced pimpernels, never heard their boastful brags of Kings
and buildings owned by royalty. How would we? No, it was just us,
creeping down dank alleyways after dark, watching classmates bruise
invisibly behind closed doors, the hidden handprints on our backs.
How mewling kitten necks were snapped for lack of cash to pay the vet,
where alcohol numbed those barely living lives in cramped unheated rooms,
as adults failed us time over time. Where the cruelty of school was no respite;
each dreamless fitful sleep, each anxious night. Our homes were bricks
and mortar, nothing more, partitioned walls too small to fit our secrets in.
Here hide and seek was not for fun, our hides were tanned by hands
we hoped would gentle, if only we could learn by rote the changing rules
of being good. Here we learnt to do as we were told, to say Thank you
instead of No, to withhold want, to veil our need behind net curtains.
Here we mastered how to mask our real selves, or else, to risk the wrath
of those supposed to love us. As kids we were word perfect in excuses, lies
that covered just enough, like lining paper over mould. As teens we studied
how to stay out late, stay out of sight, run out of reach, never upstairs,
long arms can catch you there, grab ankles, yank you down down down,
carpet burns elbows and knees, that’ll teach you. Our parents toyed with us
like paper dolls cut from their likeness, folded heavy tabs of don’t you dare
over our shoulders, our rigid shapes, our lift-the-flap faces swapped and swapped
again until we showed the right emotion. Us gangs of girls held together tight
like paperchains, the only thing in common was our longing to escape.
Our throats were throttled closed, unspoken hopes caught in our mouths
and collared in. Looking back, I see those girls - so full of need -
how desperately we clung to anything that fed release. One vanished
at fifteen, one barely spoke, one overdosed just trying to be free. And me –
Only after years away did I return, lifted my eyes for the first time to find
mismatched rooftops rising high above the streets, raised my expectations
of this place I’d always felt excluded me. Only later did I dare to finally apply,
somehow allowed right through those private gates. Now, I recognise
the privilege of living near this history, the cobblestones and costly sticky buns,
the low-bridged beauty of the Cam, the fluted chimney pots and floral calm
of horticultured gardens; pomegranate trees now grow behind the library
where Wordsworth sat, now poetry’s no longer something captivated kids
get teased about. I graduated, PGCE, wore my cap and gown with pride.
Now, I teach classes full of kids like me, I gently help them see that reading
books can fill them up, can give them wings, make sure they know to play
with language, shape it, hold it inside and then release it like a bird.
How writing brings you back to life, how poetry is air itself.
Can you see how books flung themselves into my hands? How minds longed
to be touched more gently than skin? How each turn of the page felt like falling
in love, where love was words and sentences were steak, and we were ravenous.
Anna’s Anatomy
or
Get Your Eponyms
Off My Parts!
96% of the 3504 anatomical eponyms are named after men.
Bartholin’s glands aren’t his – they’re mine.
Skene’s too belong to me –
Falloppio, I reclaim my tubes!
Long-dead medical men, let me be!
Retzius, I return your nametag – my cavities are mine alone.
Who declared that men could claim us?
Their final attempt to become famous in a world
already discovered – women’s bodies,
the last uncharted shore.
But we gave no permission
for flags planted on anatomical maps,
sometimes three or four men
sticking pins in the same millimetrical gap.
We have cunts, not countries to be conquered.
We are no-one’s property, even in death.
Doctors dissected us, drew diagrams, labelled our labias,
stamped our sex organs with surgeons’ names.
That’s why Hart’s invisible line surrounds
my shield-shaped vulval heart –
I want to rub it out,
erase their ownership of me,
get Gräfenberg’s consonant off my ‘climactic spot’ (not G).
So fuck off with your ‘fourchette’ and your ‘vulval vestibule.’
My cunt is not a cloakroom; no cutlery comes near!
My body is not a mountain to be climbed.
It’s my landscape and my lifetime to explore from peak to peak.
I’m still discovering myself in middle age,
so I decide who travels here, here, or here.
Now it’s my turn to name Anna’s anatomy:
I choose a ‘vulval valley’ – not a vestibule,
change it to ‘lovefold’ instead of fourchette,
swap ‘joyful void’ for Retzius’s cave –
perhaps a ‘sexy secretion site’ or a ‘lubricating jet.’
I’m getting rid of all the names I never chose.
Alcock – give me back my canal!
Bring back Biology. Name our bits by what they do.
No more agéd anatomists living on inside our lady parts.
So – Bugger off Bartholin! Fuck off Falloppio!
It’s time for your eponyms to go!
Publishing credits
Jellyfish Midlife Crisis / A Cambridge Education:
exclusive first publication by iamb
Anna’s Anatomy or Get Your Eponyms Off My Parts!: Magma (No. 93)


_tif.png)