the poet
Simon Maddrell is a Manx writer, editor and educator whose work has appeared in Dust Poetry Magazine, Gutter, Ink, Sweat & Tears, Magma, Poetry Wales, SAND, Southword, Stand, The Gay & Lesbian Review, The London Magazine, The Rialto, Under the Radar and elsewhere. His seven pamphlets include Queerfella, The Whole Island, Isle of Sin, a finger in derek jarman's mouth and Patient L1. Simon's debut collection, lamping wild rabbits was longlisted for the 2026 Jerwood Prize for Best First Collection, part of the Forward Prizes for Poetry.
the poems
dear derek jarman
i’ve built a garden somewhere
but you did it nowhere. you said
my garden’s boundaries are the horizon
you didn’t only mean dungeness
when you said there are no walls or fences
you weren’t describing our inward journey
or casting a shadow across the floor
of heaven. since you made those films
you don’t know rivulets run through
my parched grass. as if being banned
and disliked is a pinnacle after all.
you refused to die without the sun
rising without stones threaded
and hung in a garden that grew
out of nothing without going quietly
smiling in slow motion like an iceberg
sinking from the sky, the ripples still
licking shingle in a one-way tide.
Mouse Run
It’s as if a mouse is hiding — in wait every day
for me to do the gardening –– then jumps nine
steps, vaulting the door frame into the kitchen.
On those nights, I catch one in a humane trap.
This might be a coincidence, but it is not
the same mouse –– except for that time
I carried one to the compost heap for a treat
which it clearly regarded as a day-excursion.
Now I take them up the road to World Peace Gardens
in the hope –– up the road –– they find solace
perhaps even a greater sense of purpose
than the creamed hazelnut mix at the end
of a plastic tunnel. Maybe this is what’s meant
by a humane trap –– making the same mistakes
but with refined effort. That much I know
having trampled many criss-crossed paths
filled with plenty –– of sex, drugs & ice cream.
Every time I tend my garden, I juggle with
death but in search of bread, perhaps
like the mouse, or maybe mice prefer to eat
the hearts of seeds, leaving husks like skeletons
for pigeons to pick over. I favour different avian
visitors, even yearn for flashes of jay & a robin
to bring back my dead, remind me to live outside
a plastic tunnel, watching nature pass me by.
square walled garden
A sparrowhawk circles & hovers above
the dead fortune apple festooned with bird feeders.
Is a tree really dead if you can hear it
serving a purpose?
A skeletal fig sprouts tiny green buds & leaves
an avocado cowering below the cherry blossom.
Neither will fruit —unlike the fig in its next life.
A stylish window grille hangs on one wall along-
side a seatless metal chair — raison d'être perdue.
Art & beauty extend beyond
the confines of utility.
The hawk’s flight now a tightening screw, twisted
hazel, red dogwood, bay in talons’ reach, a Manx
flag with three flapping legs. Oh…and a pigeon.
Publishing credits
All poems: lamping wild rabbits (Out-Spoken Press)


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