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Angela Dye

wave

4

autumn

2020

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the poet

Angela Dye is a writer, editor, podcaster, teacher, reviewer, interviewer and radio broadcaster. She runs many literary events and projects in Kent, England, and has worked for various magazines and businesses creating audio content. Angela's work has appeared in several print and digital magazines. She's currently writing a novel, as well as her second poetry book.

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the poems

The Ruby and the Con

00:00 / 00:50

Oh you patriarchs who regulate the calyx vase,

who decree the mix of wine, milk and honey,

who place me on the shelf to admire, to tame, to spill.

Know this: I possess myself.

I hug my curves tight, I vibrate myself within my jar.

I unsteady the shelf. I smash the walls.

My mother’s chambers no longer constrain me.

I escape as viscous perfume, filling

all the cracks. I, woman, am so wonderful and vast, I will

fill boots, books, beds, babies, benches and brains.

We shall run the Rubicon.

We shall fill the Earth.

And that shall not constrain us.

The calyx is the female reproductive part of a flower. A calyx vase holds the mythical wine, honey and milk – different combinations of which denote women’s purity and immortality.

Soup

00:00 / 01:33

Before the baby sun

had been hurled hot

into an unmade bed

of sky, before earth

was made,

compliant and lush,

we were dreaming

the world,

cooking up ideas,

where nothing matters –

he coerced me.

Just once.

Asked for soup.

Just soup.

Soup?


Yes! I want it without humans in!

Just a refreshing bowl

of soup for the soul.

Little things matter.

Soup matters.

Matter's in the soup:

illusion and dreams,

hopes and art,

his dark materials

to stir the soul.

Season with love. So much love.

Love to be made.

There are many ways


to kill a man.

One could

harm

with charm,

cut,

drown,

crown,

disown,

dismember,

diss,

hiss,

piss take,

mistake,

disarm,

cut,

drown,

burn,

spurn,

tickle,

taunt,

tar and feather,

strap with leather,

hail,

nail.

But remember this …

the easiest way,

by far the surest method

to kill a good man,

once and for all,

is to slowly,

ever so slowly,

keep ... him …

alive.

The Borderline

00:00 / 02:11

We live in another world now,

where forgiveness

is no longer a magic spell,

where potions

are stolen, cannot be wolfed down,

and Lupin cries to the moon.

He wants to be good

but he has this suit ...


They say six foot

is the best depth.

This is so the stench doesn’t arise

and the body is not taken

so easy – for cannibalism,

or even necrophilia.


But five inches in,

and we have hit hard strata.

At first we thought we knew

what we were looking at –

two bodies at most, possibly,

lying atop, a third.

But after a while

we needed the experts,

the archaeologists,

the social diarists

and the film crews.


The first cut was the hardest:

that slice through

still warm sinew

and the gleam of bone.

And now ...

I cannot go any further

than this.

The spade has hit

the denying rock that yields

no more.


Please say no more.


I would have met you half way

– I even wanted to hide

the murderer in the cupboard,

feed him warm milk from these old breasts.

I thought that knowing

we were monsters

would keep us safe,

our brushes with death

keeping us alive.


You didn’t tell us where

the bodies lay.

Keen senses of smell

led us, dogs baying,

that spotting

of the perfect lawn perturbed,

the fountain in the patio

off kilter

and the water killing

the birds,

the keepsakes shining

in a window display.


But she is a forensic expert

– she will find them all.

Although destroyed

and with their souls sucked out,

we have set them free

roaming in a street

near you.


There can be no forgiveness now.

It isn’t even needed.

A monster can’t help but devour,

doing what it is made to do.


All one can do is run and hide.

Publishing credits

The Ruby and the Con / The Borderline: exclusive first

  publication by iamb

Soup: The Echo Chamber (Whisky and Beards)

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