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Christina Strigas

wave

4

autumn

2020

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the poet

Christina Strigas’ work has appeared in Coffin Bell Journal, BlazeVox19, Feminine Collective, Neon Mariposa Magazine, Rhythm & Bones, Thimble Lit Magazine, The Temz Review, Pink Plastic House Journal, Twist in Time Literary Magazine and many others. Her collection Love & Vodka was recommended by CBC News – making it onto its 'Your ultimate Canadian poetry list'. Christina is a full-time public school teacher, and part-time course lecturer at McGill University. She lives in Montreal with her husband and two children, and is currently working on publishing two poetry books and a novel.

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the poems

Measured Teaspoons

00:00 / 01:52

Who loves me anymore?

People like to rehash old said shit,


From five years ago …

You punched a door,

There’s still a wrecked hole to remind me.


Pin their poetry on your forehead.

Jinx, touch red,

it’s identical now.

Someone brings you red wine

you smile

taking about reading and writing

you try to tell a joke

fail miserably.

Look around the room like a stranger.


That’s not what I meant at all.


Who loves me anymore?


They see me with fugitive themes,

Forgive me for always leaving,

Flinch at the sign of my danger

Writers like to

play sex games in the day,

hunting

Adventurous and dangerous love.


I can never tell who wants me,

Damaged and wounded from giving away

My secrets for cash or fantasies for free,

Or if they do

My ego never knows,

Did you take out the garbage?


I can never tell time anymore.

It keeps rambling on and on like a song on the radio

you can’t listen to anymore

Indifferent to the wrinkles on my skin.

It’s not Friday today? When was my birthday?


I may be losing my witching powers,

Maturing into the skin of my mother and father

Perhaps they never existed,

Maybe normality is flowing stillness into my veins,


I have become what they feared.

Old and out of date,

Expired.


I have walked into a party

In the wrong era’s outfit,

And when you try to explain it:

The meaning of poetry,


When they ask,

Why you're wearing nylons with sandals,

You keep repeating,

Because I want to.


Yet you realize no matter

How you express yourself


What you really want to say is:

That’s not what I meant at all.

1973

00:00 / 02:55

i have authentic white tiny flowers in my hair

the way i was supposed to live

walking for my aunt, down the tiny cobblestone roads

in the middle of summer, following the gorgeous bride,

in the village, my parents were born and fell in love,

singing Greek songs in the open air,

watching how the Mediterranean sun plays golden tricks

on my mother's short 70s crew cut.

It's 1979

on the plane with my dad

emergency landing to tend to the sick

his father is dying and everyone is talking about

olive trees. my hair is too short for Europe

my knees too knobby but everyone loves my accent

they say i'm beautiful

i sleep at the top of the hill with my cousin Mimika

and two other cousins have my name and moles.

I find it weird that we all look alike yet no one sees

the sun's brilliance like me

or notices how the moon shines at twelve years old.

they want all my clothes and look at the brand names

while i care more about the sky and my grandmother's sad eyes.

she likes to hug me like it's the last time she will

every hug feels like her last hug.

i felt death hug me when she squeezed and kissed me like that.

we sleep in the afternoon or climb out the window to play with the hens.

It's 1991

everyone my father loved has died

I'm backpacking through Europe with my best friend

and we visit my childhood

but it's so long gone,

i slept all through Paros

Santorini saw all our dirty laundry

Pensioni Andre had no mirrors

so we hid well

under the sun's rays.

Every day lasted forever

every love a lifetime.

It's 1998

I'm three months pregnant in Agadir

and doing some kind of pregnancy test

it feels like this baby will live

and he does.

my life will never be the same again

i'm a mother

now.

It's 2001

the ultrasound indicates it's a girl

and i cry like a baby

praying she'll stay warm and safe

and never leave me stranded.

with blood and tears.

it's 2011

everyone sees Greece through the eyes of my children

and we love each other madly

every year

every ocean

brings us closer

to death

and the cup we were

meant to drink

together

and

finally alone

is full of memories

and our future is still

full of dreams.

he says no matter how old you are

you are always young to me

you never age.

i love you.

these are the years that grab me

make me cry to our song

and i sign death certificates.

i grab hold of my soul

and shake it a bit

then i silence it.

you thought you knew me

but truly it's 1973

and the sun is the brightest i've ever witnessed

and my mother's beauty haunts me.

Dead Wife

00:00 / 01:05

I wrote you all the things

I cannot tell your hazel eyes.

I do not want to even look at you

how unromantic of a poet like me.

I wrote about—

that time when Little Wing

played in the 70s basement

of Lily’s house on McKenzie Street.

We did not know each other then

you were at some other party

playing spin the bottle, starting

to brew your player moves,

charming chess pieces.


I spent my love on you

like a gambler.

I can’t

I don’t

want to be that girl

That writes so many letters to her

ex-boyfriends

ex-lovers

ex-husbands

where they all have a conversation.

They all have a substitute teacher

when love calls.


My ex was a teacher


I killed myself for you

like a murderer.

I can’t

I won’t

wish for you to visit me

refresh my six-year-old memory

when love stumbles

you sometimes forget to get up.


​I pretend your wife is dead.

My reality has no filters.

Publishing credits

Measured Teaspoons: exclusive first publication by iamb

1973: Your Ink on my Soul (Underwater Mountains)

Dead Wife: Coffin Bell Journal (Vol. 2, Issue 4)

  Nominated for Best of the Net 2020

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