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Matt Merritt

wave

4

autumn

2020

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the poet

Matt Merritt was born in Leicester and now lives in Warwickshire, where he works as a wildlife journalist and writer. He's published four poetry collections: Making The Most Of The Light, Troy Town, hydrodaktulopsychicharmonica, and The Elephant Tests – his two most recent with Nine Arches Press. Matt has also published nature memoir, A Sky Full Of Birds.

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the poems

Grail Birds

After Tim Gallagher

00:00 / 01:19

Somewhere the cypress swamps give up their ghosts

and the grail birds emerge to their two-note tattoo,


the distant fanfare of toy trumpets. Mist-smeared mirror

of bottomlands, dark with sweetgum and water tupelo,


catches escape-flight peripheral flicker

that scuds them intact from out of our past.


Somewhere someone is startling at the sound

and sight of things that shouldn’t be. The wires


are humming with righteous incredulity,

discussion of digital artefacts, wingbeat frequency.


But I need to believe that things like this

exist, that something might be borrowed against probability


without incurring any debt, that impossible things

can happen even as we swallow our own small extinctions.


​Dusk comes on. The swamps settle for their own version

of silence. Our knocking receives no answer, but we watch


and watch until cold and strain pricks at our eyes.

And there, again, the impossible thought takes flight.

Gabble Ratchet

00:00 / 00:25

Corpse hounds, he calls them,

each one the soul of a child

taken too soon to be baptised,


or gabble ratchets, with all that suggests

of infernal machines, devices


of a consciousness that bedevils

our gentle swoop into sleep, dying only

in the first confusion of new light.

The Meeting Place

‘ … within us, balanced like a gyroscope, is joy.’

Elegy, Tomas Tranströmer

00:00 / 00:53

Nothing leads up to it.

No sudden voltage, a whiff of ionized ozone mingling

with diesel, damp cardboard and takeaway grease.

Traffic lights maintain their sequence,


diaries continue to get written

in lamplit bedrooms glimpsed from near-empty

top decks. Timetables are still met. But she is there

at the junction of all things, and at once


the better part of you is persuaded

out of balance. Moments fray to a fine thread.

The past is startled into a sudden eloquence.

Nothing need follow.

Publishing credits

Grail Birds: Magma (Issue 75)

Gabble Ratchet: hydrodaktulopsychicharmonica

  (Nine Arches Press)

The Meeting Place: Troy Town (Arrowhead Press)

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