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Rennie Parker

wave

4

autumn

2020

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the poet

Born in West Yorkshire, Rennie Parker now lives and works in the East Midlands. Her first collection Secret Villages was published by Flambard Press in 2001 and featured in the 2002 Forward Prizes anthology. Since then, Rennie has published two collections with Shoestring Press: Candleshoe (2014) and The Complete Electric Artisan (2017). She's also published reviews and literary history, including The Georgian Poets (Northcote House/British Council, 1999).

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the poems

The Original Captain Boomerang’s
Death-Defying Stunts

00:00 / 02:16

Ladies and gentlemen:

it's not the escape which sets me free

but the entire surrender. As always

there is no body double

and no apparatus,

the lumber and chock which keep you rooted there

will vanish, in a trice.


Released into that forgetfulness

holding my breath for another count of ten

I work my strategy out.

You see, in practice

when engaged with any airtight fiendish device

it's no different to the Nailed-In-

Packing-Crate Mystery

or the Upside Down Barrel Plunge.


It's a hard one this time.

Sir, you are amazed

I should survive these incredible feats. Let me tell you

it takes a special kind of person

to become a genuine fake. The simple fact is

I cannot be killed –

the crowd believes it's impossible

but I know everything is true.


We are always conjuring on the edge of death, ladies and gentlemen.

I have studied my subject and I know its ways.

There's no exit from that sealed casket.

I do not enter this compact lightly

and you have every reason to be afraid,

not on my account

but for yourselves, for wanting to see such blood.


You await the wrong turn, the failure

of my dextrous digits,

the mistaken breath that loses me.

Perhaps it will happen tonight and you were there

when the great illusionist never returned

and you yourselves became history.


Well, we'll see.

Ladies and gentlemen, I stand before you

as clean as a shelled egg.

There's nothing up my sleeves.

Let me show you how it's done:

one

two

three ...

dreaming about the plenitude

00:00 / 01:38

a lifetime of holidays is killing them perfect

with the beautiful children, their artless arrangement:

their mothers, honed down like bone flutes,

that strain – or there, poised quite

like rare ikebana in the classical style

with five types of olives


or delicate at the piano perhaps or stuffing

pimientos with hand-reared lemongrass straight

from a double-page spread about interiors

or careless with artisan bread,

the rich delivery promised: a husband

ironic with stubble and rough linen

cool at his infinite desk, the blond wood and the textiles.


You know they're only pretending but it's so good

at the grandstand window in a trendy cafe

or crunching across wet pebbles as if in the moment

windswept thinking of lighthouses

yanking their dogs back and striding, the world mastered,


a flint-stuck cottage where everything happens

each startled blue summer, those indigo nightfalls

of laughter-echoing parties

the trug encrusted with warm earth

a descending line of wellingtons

in their honey-dappled hallway, matted

with sea-grass and on-point architectural salvage.

‘we will all sing hallelujah
in the river of time’

00:00 / 01:57

and we race past collections of backyard hens

the unadopted roads and spilled walls

those awkward bridges of blue-toned brick

each one with its engineer's number: and how

we smack underneath them one after another

as down the carriages heads are moving in rhythm

and polystyrene cups jog slightly

on the bolted-down granite-look tables –

oh unison and perfect synchronicity

I am riding with you on the train of all our hopes

the passion behind your newspapers

and your sweet contained heads –

you do not know where this pleasure is aimed

or what sent it flying, only

that the calm people are waiting

flipping their cards back and pages

or scrolling down to the next track

placing their new chestnut boots on the stained utility carpet,

turning over their books like heroes

safe in the knowledge that someone is waiting for them

and their clean shopping bags are being touched, slid,

with goods they've been looking for all year

and this was their afternoon

even here in the middle of November in the rain

as our train jinks leftright like an animal with an itch on its shoulder

as we swat into midlands cities and out the other side

with loose fields running away from us,

charred hedges scribbling into the distance

and the pinpoint lights coming on.

Publishing credits

The Original Captain Boomerang’s Death-Defying Stunts:

  The Complete Electric Artisan (Shoestring Press)

dreaming about the plenitude / ‘we will all sing hallelujah

  in the river of time’: exclusive first publication by iamb

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