the poet
Originally from Kent but now living in Cork, Ireland, Lucy Holme is a poet and mother whose poems have featured in The Liminal Review, Púca Literary Journal and Re-Side. She also has work forthcoming in Southword, Marble Poetry, Poetry Bus, Poetry Birmingham Literary Journal and new online poetry journal After... . In April 2021, she was a recipient of a Munster Literature Centre Mentoring Fellowship with the poet Grace Wells, and is now studying for an MA in Creative Writing. Lucy's debut chapbook, Temporary Stasis – shortlisted for The Patrick Kavanagh Award – will be published by Broken Sleep Books in 2022.
the poems
The Haunted Kind
I can tell you all I know about awakening under scratchy winter blankets in the half-light of Sóller’s horseshoe bay. A view of the promenade, a 1950s
sepia vignette.
Off season. Tramuntana, olive-scented.
Better with fewer bodies to watch our story unfold.
Nights were cold in April although the days
still had their welcome pockets of sun.
We couldn’t gauge the depth of one another’s heart,
so we handled them gently, like rare species.
Bared faults before they were revealed,
pushed shadows out.
One night when I awoke,
I felt a presence in the room that wasn’t you.
Saw a pale hand turn the knob and then retreat.
You said you sensed it too.
Ghosts were all around us in the verdure,
on the skipping sand.
You told me of your cleverest friend,
about your country’s complicated past.
I kept my own history vague
for fear of breaking the spell.
The claims we make, early in the day,
I just can’t lie and these are my worst traits.
Laid bare, they shift like sediment on the shore.
You take the sadness, add the words,
mash them into something you can use,
a cleansing poultice for old wounds.
Best remember who you said you were,
before the ghosts gather to call you out.
La Yegua
Brown burnished gold, silken
flank shivers with sweat.
She comes near to sneeze, to stomp
then leaves in a kinetic blur,
a muscled sketch from Duchamp,
I lay my palms flat as her muzzle
sniffs and strong jaw chomp-chomps.
She studies me. Lashes dark and wet,
angles fine as cut glass.
She resists form. After all, she is so young.
They shout whoa pícara! Click their tongues
when she rears and fumes.
The bridle constricts blood flow,
breath heaves as it tightens.
Expansion curtailed, power diminished.
I reach for her, but she eyes me with disdain.
Turns to rise on hind quarters,
lope like six beasts conjoined,
across the prado.
Every fly that lands creates a twitch


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